The New Montefiore Cemetery serves as one of the largest Jewish
cemeteries in New York, originally established in 1928. Cemetery site says
that burial of persons not of the Jewish faith is strictly
prohibited there.
Cemetery is located
in West Babylon, Suffolk County,
New York, USA. Distance between cemetery and Bowery (Manhattan, NYC,
USA) is around 37 miles / 60 kilometers.
Gates of cemetery are open: Sunday - Friday: 8:30AM-4:30PM. Gates are
closed on Saturdays and selected Jewish holidays.
How to get there by train?
Address: 1180 Wellwood Ave., West Babylon, NY 11704.
The New Montefiore Cemetery is located at the Pinelawn Station
stop.
Take the Long Island Railroad, Ronkonkoma Line
from Manhattan - Penn Station at 33rd Street & 7th Avenue
OR from Brooklyn - The Flatbush Avenue Station at Atlantic Avenue
OR from Queens - Jamaica Station.
First a small plaque, later the
tombstone.
Tommy passed away in his home in July 11, 2014. In the Jewish faith,
people don't get a tombstone until they are buried
one year. Before the tombstone, there is usually just a small plaque.
You
can see in right one photo where is only a small plaque with two
Jewish stars (Star of David), name and text:
"Thomas Erdelyi
1949-2014
Schwartz Bothers - Jeffer Memorial Chapels"
Of course last line should be "Schwartz Brothers - Jeffer Memorial
Chapels", not bothers... Funeral home had written its name
incorrectly.
Schwartz Brothers-Jeffer Memorial Chapels is among the larger
Jewish-specialty funeral home in Queens.
Schwartz Brothers-Jeffer Memorial Chapels specializes in the
traditions of Jewish families. Funeral home is located in New York City
on Queens Boulevard in Forest Hills, near Flushing Meadows Corona Park
and several cemeteries.
So it is customary to hold the unveiling of tombstone within the
first year after death. Jewish tombstones usually have inscriptions
in Hebrew and the regional language. So is also in Tommy's tombstone.
It have inscriptions in Hebrew and then in English:
"Thomas Erdelyi
Jan 29, 1949
July 11, 2014"
Also it has Jewish marks: Jewish star (Star of David),
Menorah (candlestick
symbol) and some tombstone symbol.
Small stones but no flowers?
You can see stones in front of small plaque (uppermost small photo)
and in
a top of tombstone. Why? Explanation: One of the most common Jewish
cemetery tradition is to leave a small
stone at the grave of a loved one after saying Kaddish or visiting.
Its origins are rooted in ancient times and throughout the centuries
the tradition of leaving a visitation stone has become
part of the act of remembrance.
To me (Jari-Pekka Laitio-Ramone) it look strange that there are no
flowers at the New Montefiore Cemetery. Also Joey Ramone was Jewish
and in his grave are flowers at the Hillside Cemetery in New
Jersey.
Flowers are not forbidded at the New Montefiore Cemetery as
in the homepage of cemetery reads following: "Plot owners may adorn
their lots with flowers or shrubs, subject to approval of the Board
of Directors."
Here is interesting article of that subject:
"Is it permissible to put flowers on a
grave in a Jewish cemetery?"
Jari-Pekka Laitio-Ramone: Would you like to tell
some memories
of your first practises as a Ramones drummer?
Tommy Ramone (tells in Rock In
Peace: Dee Dee And Joey Ramone): It was strange, because as soon as
I started playing drums things seemed to click. It was as if it locked
into place. Right away we had what became the Ramones sound. I guess it
was the missing ingredient. Before I started playing the sound was
choppy and with me playing it became smooth and driving, Tommy told me
in 2003.
Tommy recounted to me many times a situation how he was the drummer,
spokesman and first manager of the Ramones. Tommy Ramone started as
manager and Joey Ramone as a drummer, but Tommy become a drummer and
let Joey sing.
Jari-Pekka: How it also felt when Joey
sang then first time?
Tommy Ramone (Rock In
Peace: Dee Dee And Joey Ramone): Joey was much more natural as a
singer than as a drummer. He had a great voice and, I felt, a unique and
strong presence as a vocalist. Things worked out perfect once he became
the lead singer.
Jari-Pekka: Can you explain again those reasons
why you decided to leave the Ramones?
Tommy Ramone (tells in Ramones:
Soundtrack Of Our Lives): What made the Ramones great was that they
were all unique and crazy personalities; which also made it hard to be
with them all the time, 24 hours a day. What made them so good, were
their crazy personalities. But what made them good also, made them
impossible to be with. It was like being in some kind of bizarre cult.
They had their own world view. I was kind of losing my sense of reality.
I was the coordinator and idea man. After four years, they were driving
me crazy and for the sake of my sanity and for the sake of the band, I
decided to bring Marky Ramone to the band. That was a bright idea, bring
in a drummer, then you kept writings songs with them and produced the
records. Someone else would go on the road with them. In the recording
studio I was free, I was creative and in control. On the road, I was a
confused and abused passenger. It felt as if I was on the verge of a
nervous breakdown...., Tommy Ramone told me.
Tommy was the producer on six Ramones albums: Ramones (1976), Leave
Home (1977), Rocket To Russia (1977), Road To Ruin (1978), It's Alive
(1979), and Too Tough To Die (1984). Related to recording and producing,
he worked mostly with Tony Bongiovi and Ed Stasium on early
Ramones albums.
Jari-Pekka: You helped to get the Ramones back
to their roots with the album, Too Tough To Die (1984) didn't you?
Tommy Ramone: (tells in Ramones:
Soundtrack Of Our Lives): They brought me back for Too Tough To Die.
That time, they wanted to do that and I was very happy when they called
me up and asked me to be the producer. Too Tough To Die was a great
opportunity for us to get together again. Too bad that record did not
sell a million copies, I might have had a chance to do more albums with
them, which I would have loved to have done.
Jari-Pekka: What are your feelings about being
inducted into the
Rock And Roll Hall Of Fame? What was it like to appear at the induction
ceremony?
Tommy Ramone: (tells in Rock In
Peace: Dee Dee And Joey Ramone) It was a great honor. It meant that
we were recognized as an innovative
and important band. This was very important to us. Usually the artists
that are inducted sell millions of records. For us to be chosen meant
that they recognized what an important contribution the Ramones made.
The ceremony was like being in a dream. Here we were being inducted with
some of our idols like Brenda Lee, Gene Pitney, Isaac Hayes - it seemed
unreal. It was an unusual and unique experience for us, Tommy Ramone
told me.
First time Tommy gave information about 2000's Uncle Monk
was in 2003-2004. In my second book Rock
In Peace: Dee Dee And Joey Ramone he does mention of it.
Soon later Uncle Monk became active and of course I promoted it and
their shows here on my site. When I look listing of their shows here
on my site, 2000's Uncle Monk had their premier performance at BD
Riley's, in Austin, TX, on Saturday, March 18, 2006, as part of the
South By Southwest Festival. Last one was this: July 5, 2012, The
Bowery Electric, New York, USA. CBGB festival.
The debut CD for Uncle Monk was available on March 16, 2006. The
CD has 14 songs. The musical style was a bit of
a surprising mix for some Ramones fans, and also for many others, a
refreshing acquaintance. Uncle Monk did an alt-country bluegrass.
Tommy said that there are a lot of similarities between punk and
old-time music. Both are home-brewed music as opposed to schooled,
and both have an earthy energy. Anybody can pick up an instrument
and start playing.
Tommy Ramone wrote to me in late November, 2012, that they are still
working with second Uncle Monk album.
Tommy wrote: "Yes, Claudia and I are finishing up the next record.
One of my latest interviews with Tommy I did in April, 2010, (read it
here) of one tour and on it Tommy also explains of second album:
- We keep coming up with new songs so we keep recording. Our new record
will have some unique songs on them mostly based on our lives and
philosophies. there will be indie songs, bluegrass songs, old-time
songs, romantic songs, and unclassifiable songs, Tommy
explained.
Jari-Pekka Laitio-Ramone: Besides the guitar,
you do play
mandolin, banjo, and dobro on the CD (Jari-Pekka's note: 80's Uncle Monk
was a bit different. Third member was drummer). How long have you been
playing these instruments?
Tommy Ramone: (tells in Ramones:
Soundtrack Of Our Lives): I have been playing these instruments
since 1994-1996. I have always liked that kind of music. I also have
always wanted to take this music and put it into a rock or a pop band;
but as I was doing that through
the years, I realized that it was more fun just playing it acoustic. I
enjoyed playing acoustic and it sounded better acoustic. So from the
beginning of new Uncle Monk, it was just the two of us, Claudia and me.
This is because I didn't want to get a drummer and things like that,
Tommy says in Ramones: Soundtrack Of Our Lives.
Jari-Pekka: What instrument was the most
challenging for you?
Tommy Ramone: All bluegrass instruments are
challenging. I have spent many years learning these instruments,
practising, and I enjoy them very much. The mandolin has no sustain so
one has to develop new techniques to compensate for that.
The banjo has a drone 5th string and is totally different from the
guitar. The Dobro, uses a slide and is in open tunings, the fiddle has
no frets; but they are all rewarding to play as they make wonderful
music, Tommy said to me.
Jari-Pekka: Claudia, can you please give readers
an idea about some of the songs you play?
Claudia Tienan: Some songs came from experience
while others came from the observation of environments. Others songs
came from reading the newspapers and watching the news on TV. It can be
disturbing to see what is going on now, Claudia says in Ramones:
Soundtrack Of Our Lives.
I do remember how happy I was in October 17, 2007, when Tommy and
Claudia wrote:
Tommy Ramone: "We just did a show with the
legendary Earl Scruggs at
the BB King Blues Club. We cannot put into words the feelings that we
experienced having the honour of meeting him. We also got to meet his
sons Randy and Gary, what a wonderful night!"
Stanley is the survivor of the Stanley Brothers, one of the few
remaining figures of the first generation of bluegrass musicians.
Jari-Pekka: Tommy, so it meant a lot for you
and Claudia to play as the opening act for Ralph Stanley and Earl
Scruggs.
Tommy Ramone: Right, Ralph Stanley and Earl
Scruggs are two pioneers of bluegrass and we were very lucky to have a
chance to open for those classic, great artists. It was wonderful
opportunity. Something that no-one could have imagined would have
happened. It was just incredible. They were really nice people and very
friendly to us and they were great shows. We had a great time, Tommy
said.
I also asked Tommy to tell early memories of Stanley and Scruggs
and many, many other things. In all my interview of Uncle Monk with
Tommy and Claudia has two pages long in Ramones:
Soundtrack Of Our Lives.
I am happy that I had chance to inform readers on my books and now also
here on my page, what kind of happy and exciting experiences Tommy and
Claudia had with Uncle Monk. There were not too many of us who made long
interview with Tommy of Uncle Monk. I knew it meant a lot Tommy to tell
those things.
Rest In Peace with Joey, Dee Dee and Johnny my friend Tommy.
Danny Fields is early Ramones' manager.
Bob Gruen is one of most legendary punk and rock photographers since
1970's.
Michael Alago is multitalent in music business since 70's, famous
producer,
man who found and signed Metallica and White Zombie, photographer etc.
Spencer Drate is most famous of his works as a album designer, he
designed albums to the Ramones, Talking Heads etc.
Band who played in this event was The Martinets. One member in The
Martinets is Daniel Rey who produced for example
Ramones' album Adios Amigos, he recorded material with Joey Ramone to
both of Joey's solo albums and who produced Dee Dee's Zonked album and
wrote many songs together with Dee Dee to some of the Ramones
albums.
So this event was also in honor of the Ramones playing at CBGB for the
first time 40 years. CBGB is one of most legendary clubs ever, founded
by Hilly Kristal. New York club was opened in 1973 and got closed in
2006. It was in Bowery, 150 meters away from Arturo Vega's
(Ramones' creative director) house where
Joey Ramone and Dee Dee Ramone also lived in early 70's. The Ramones
played really lot of their early gigs at CBGB's. CBGB was kind of
birthplace of punk. So this event now in August 16 is at The Bowery
Electric what is only 100 meters away from place where CBGB was. My
interview with Hilly Kristal you can find from my first book Heaven Needed A
Lead Singer: Fans Remember Joey Ramone.
This event did happen in November, 2004. There was Ramones tribute
concert by Hungarian ambassador to the USA in Washington, and Tommy
Ramone was a special guest.
So this event was in 2004. I asked Tommy's memories of this event
afterwards to my book Ramones:
Soundtrack Of Our Lives.
Jari-Pekka Laitio-Ramone: There was a Ramones
tribute concert given by the Hungarian ambassador to the USA in
Washington in November 2004, and you Tommy were a special guest. Would
you tell some memories of it?
Tommy Ramone: We spoke to a gathering of about 300 people. The topic
was how rock'N'roll music helped bring down the Iron Curtain in
Hungary. The Hungarian ambassador Andras Simonyi is a talented guitar
player and loves rock music.
Below is an article Tamas Kovacs translated to me (Jari-Pekka). Article
/ interview is by Mesterhazy Lili.
Here's site of Index where is also photos of the event and an interview
in Hungarian, click here. Also
picture is from the site, so copyright is theirs.
Gabba Gabba Hey at the Hungarian embassy
Exclusive interview with Tommy Ramone
The punkrock party of the last original Ramones-member with Hungarian
ambassador Simonyi, with an american ambassador and with a Ramones-geek
Rolling Stone journalist. Tommy Ramone member of Rock And Roll Hall Of
Fame gave an interview to Index.hu because of Blitzkrieg Bop, Judy Is A
Punk, Now I Wanna Sniff Some Glue....
It is said that they had saved rock. Their music is now called punkrock,
they began it all in the early 70's in one of the clubs in Lower East
Side. The members, Joey, Johnny, Dee Dee and Tommy, started to use the
surname Ramone, this way the the Ramones was formed.
Their quick, simple, back-to-the-basics music ruined the cult of songs
with guitar solo of 20 minutes. One of their concerts in 1976 in London
boosted british musical scene resulting in bands like Clash or Sex
Pistols.
Out of four original members of the Ramones only the drummer Tommy with
hungarian origin lives (so this event was in 2004). He is the only
hungarian who is entered Rock And Roll Hall Of Fame.
On Thursday evening Tommy Ramone aka Thomas Erdelyi was the guest of
Hungarian embassy in Washington, but before that event he gave an
exclusive phone-interview to Index.hu. His sound is low. We are speaking
in English, but the name of the street "Bajcsy-Zsilinszky" is pronounced
perfectly in Hungarian.
Index.hu: You were born in Budapest, you were a little
boy when your family moved to New York. What can you
remember?
Tommy Ramone: Not much, I have got some childhood memories. I was seven,
when in 1956, during the revolution, my parents came to USA. I remember
living in Bajcsy-Zsilinszky Street. I have not been to Hungary since
then, although my brother goes home sometimes. Nowadays it often comes
to my mind to go to Budapest, I left almost 50 years ago.
Index.hu: How did New York look like in the
70's?
Tommy Ramone: Those were special times. There was a club in Lower East
Side in the Bowery called CBGB. It was full of bands that hated
progressive rock of those times, you know those long songs with 8
minutes
guitar solo. We wanted something new, which is honest and simple, which
can be said in two minutes. Back to the basics. You could see extremely
ingenious and amazing bands in CBGB like Televison or Talking Heads.
These were the alternative bands then. They differed very much from
each other, but they had one thing in common: they wanted something
that differs from stylish things.
Index.hu: How did you meet first with the other members
of the Ramones?
Tommy Ramone: Originally I controlled the studio-recording. There were
three of them: Joey, Johnny and Dee Dee. I remember I was totally amazed
when I heard them playing first. It was just amazing how original, how
intensive, impulsive they were. Later on they accepted me as a member. I
was the drummer instead of Joey, he started singing. I felt highly
honoured.
Index.hu: Do you still use the name "Ramone"? What name
can be found - let's say - on your credit card?
Tommy Ramone: (laughs, and speaks Hungarian for a moment) My name is
Thomas Erdélyi (he said it in Hungarian). No, no, Tommy Ramone is a
stage-name, I use Tom Erdelyi for everything else. Altough nowadays I am
Tommy Ramone more and more often. We have made a musical, the first
punkrock musical of the world. Its title is Gabba Gabba Hey. We played
it in Australia first this summer (2004). It contains 18 Ramones-songs,
it is
about a young guy leaving home and going to New York to Lower East Side.
It takes place in the 80's with real, romantic happy end. It was
succesful I work on touring with it.
Index.hu: Johnny Ramone died almost two months ago (in
September,
2004). From CNN to Rolling Stone it was mentioned everywhere that Tommy
Ramone is the last man standing from the original line-up.
TR: It is very hard. But the most important thing is that this way my
responsibility has become even higher. It is very sad and tragic, yes.
But I have decided to get over it from an other point of view: for me
it is the most important to speak about the Ramones as much as
possible, to tell the people what this band was like. I am the last -
it is my task.
Ambassador András Simonyi's attention to Tommy Ramone was called by his
Ramones-fan daughter:
I didn't know punk rock bands well, but when my daughter told me about
it I found it out that Tommy Ramone is the only Hungarian entered Rock And
Roll Hall Of Fame in Cleveland. I contacted Tommy Ramone through Rock
And Roll Hall Of Fame. This evening's meeting is a talk with two Hungarians
growing up at the two sides of the Iron Curtain and both of them like
rock music. When I was young I played music, I was a guitarist on the first
record of LGT (it is a famous hungarian progressive rock group of the
70's and the 80's, Tamás). I have become an ambassador, but I think
rock music is important in foreign politics - people ruling the world
now have grown up on rock music. The talk will be hosted by Chuck D.
Young from Rolling Stone, he is the biggest Ramones-expert of America.
Surprise
More than 250 people were invited: diplomats, younger colleagues from
White House etc., and the correspondent of Russian Press Agency was
interested in Tommy Ramone and András Simonyi's talk. The guests then
listened to three Ramones classics Blitzkrieg Bop, Beat On The Brat and
Let's Dance performed by Chuck D. Young, András Simonyi and Alexander
Vershbow who is the american ambassador in Moscow.
Although Tommy Ramone earlier refused to play on the drums due to
emotional reason, but at the end he went on the stage and - in front of
the portrait of Bartók, Kodály and Liszt - sang Let's Dance together
with Simonyi. He didn't play on drums. As he said: I haven't used drumstick
for 27 years. HeyHo, Let's Go.
Tommy was my dearest and oldest friend. We grew up together in Forest
Hills, Queens, New York. I went to Stephen A Halsey Jr High and Forest
Hills High school with him. He got me to pick up the bass guitar and
enter into the crazy world of rock music. We played in several bands
together (Triad & Butch) here in NYC over the late 60's and early 70's.
We built and managed Performance Studios in NYC, a recording/rehearsal
studio the Ramones started in. I worked with him when he was in the
Ramones and well after he left. He had an advanced musical foresight,
well ahead of the times in forming and being part of the Ramones. He
was a great musician on the guitar, then the drums, later on the
mandolin, banjo, fiddle and many more instruments.
His musical expanse bridged from Punk to Indie Bluegrass.I mourn the
passing of the last of the original Ramones, my friend and a
true musical visionary.
Monte A. Melnick
By Debbie Harry:
Tommy seemed to me so understated compared to the rest of The
Ramones. But I loved the way he played, and this light, very accessible
style made those early songs loved by everyone. He added so much to
their recording style and origination that I will mourn them
even more now that he's gone, too, said Debbie Harry to NME.
By Chris Stein:
I met Tommy early on. He had a band called Butch that played at Mercer
Arts Center, maybe in 1972. Later, after the Mercer literally collapsed
and I had started working with Debbie, I ran
into him and he told me he had a new band called The Ramones. I probably
was at their first show at CBGB's and remember how awesome they were in
spite of their rawness. Tommy was an amazing asset to the group, and I
was always taken by his light drumming technique that somehow drove
their very powerful, ferocious sound. He was a gentle and supersmart guy
and a mover and shaper of the New York underground music scene, and we
all will remember him fondly, said Chris Stein to NME.
This text by Chris Frantz was published originally in
RollingStone.
The first
tour Talking Heads ever did was supporting the Ramones in
Europe in the spring of 1977. We shared a bus, and I talked
with Tommy a lot. His family had fled the Iron Curtain in
Hungary. He had a seriousness about him that was different from
most people in the business. The other Ramones deferred to him
because he had the experience and the leadership qualities the
others didn't quite have.
Tommy played the same part on every song, either a bit faster
or a bit slower - usually faster - and he boiled things down to
their essence. There were no fills, except maybe on the "Hey,
ho!" chant. It was sheer minimalist perfection. Tommy was a
songwriter, too - he wrote "I Wanna Be Your Boyfriend," one of
the most direct love songs in rock history.
The Ramones were a great band, but as time wore on, it was not
fun for Tommy. This was the time of gobbing as a sign of
approval, and they'd have to wipe down his drum set after the
shows. He didn't like the spit part at all. So I wasn't
surprised when he decided to give up his post and let Marky
Ramone take over in 1978.
The Ramones didn't always like one another very much. But Tommy
was so important to the groove of that band. He was a small
guy, but you never got that, listening to him play. He sounded
like a big guy.
So this text by Chris Frantz was published originally in
RollingStone.
The last original Ramone, Tommy Ramone, has died, & with him the last
of one of the main roots of all modern punk/hc/and metal as we know it
today. The importance of the Ramones in the history of underground
music cannot be overstated - before the Sex Pistols, The Clash, Black
Flag and waaaaaaay before any speed/thrash metal band, the Ramones were
blowing minds with LOUD, FAST, AGGRESSIVE music.
Although to the calloused ears of modern youth who have grown up
listening to crust punk/grind core/speed & thrash metal/and even some
of the more aggressive music on commercial radio, the Ramones might
sound like fast pop, at the time they started playing out in NYC at
CBGB/ Max's Kansas City (1974) they were something that had never ever
been seen or heard before. The first time my band played CBGB, I was
completely emotionally overwhelmed - "Man, the FREAKING RAMONES started
out here!" I thought as I stood on stage - I almost started crying.
Without that band, the tempo of underground music would have never
reached the speed that it has today - there were a bunch of glam bands &
hippies at that time, & (yeeeech) disco was big - the Ramones came along
& blasted everyone straight out of the water.
No Ramones = no Lamb Of God, or any of the
other music most fans of my band listen to. Metal existed, but it was
not until punk rock kicked it right square in the ass with a combat boot
that things got FAST & AGGRESSIVE. Tommy passed away from cancer
yesterday in Queens, NYC, at the age of 62. Rest in peace, bro, & thank
you for helping to create the music that changed and saved my life,
wrote Randy Blythe on Instagram.
Text by Andrew W.K. Marky Ramone's Blitzkrieg did in 2013 and 2014 few
tours Andrew W.K. being singer.
- Just found out that Tommy Ramone died today. One of the most ground
breaking drummers and producers ever. And always nice, wrote Andrew
W.K.
Text by Nikki Sixx of the Motley Crue.
- Sad to hear of the passing of Tommy Ramone from the Ramones. Thank you
for the inspiration, wrote Nikki Sixx.
Text by Garbage band who recorded I Just Want To Have Something To
Do to We're A Happy Family - A Tribute To The Ramones CD.
- RIP Tommy Ramone. The last of the unique neurotics. Thanks for the
dance. You were unforgettable, wrote Garbage.
Text by film composer Clint Mansell and and lead singer of Pop Will Eat
Itself.
- Tommy Ramone is gone. The last of the (original) brudders. I'm deeply
saddened. Without the Ramones I'm not sure what my life would have
been. They changed everything for me when I heard Sheena Is A Punk
Rocker in 1977. There's a through line from that moment to this, right
now, everything I've done was born in that moment. I'm gutted that
they're all gone. Sleep well, my brudders, wrote Clint Mansell.
Text by Jason Ringenberg, who is lead singer of Jason & the Scorchers.
He started playing in alternative rock, rock, and country-bands in 1980.
- Tommy Ramone passed away of cancer. I am saddened to hear
this. He played mandolin on my last Farmer Jason release Nature Jams,
and did a bang up job. I knew him and ran into him a lot when he was
doing his bluegrass gig. He was a legend and a gentleman, wrote Jason
Ringenberg.
Ringenberg created that children's music character (Farmer Jason) in
2002. Tommy Ramone and Hank Williams III plays on song titled Manatee in
Nature Jams.
BBC 6 Music had a Ramones playlist at 6-8PM (London Time)
in July 13, 2014, to mark the sad passing of Tommy Ramone.
- What would be great is if you could post this on
your wall asking your followers for suggestions, informed Alex
Burnard.
Here are more background details I put on my page. So what should be in
a Ramones playlist? There were listed this kind of
information in BBC 6 Music's blog.
- The big songs like I Wanna Be Sedated, Blitzkrieg Bop and Sheena Is
A Punkrocker or anything from their 14 studio albums?
- Bands they influenced like The Undertones, Dead Kennedys, Nirvana and
The Strokes?
- Who influenced the Ramones? The Stooges and The Who?
- Their contemporaries from the New York scene?
- Or any other musical connection that you think is deserving of a place
on this special playlist. But do make sure you give us your reasons
behind your selections for a better chance of making the playlist.
Alex Burnard did with me few minutes long phone interview in advance but
host made mistake and it wasn't aired in time. Alex Burnard told me they
had archive material of Tommy since 70's. But also host made mistakes
with it and we heard Tommy's interview just a little bit..., Tommy for
example did speak of recordings of first album, how it was recorded in
six days on a budget of 600 US$.
Instead of more of Tommy's interview host did play for example Nine Inch
Nails... and The Human
League's The Things That Dreams Are Made Of.... Depeche Mode's Personal
Jesus... Drenge's Nothing... Would you had liked to hear instead Tommy's
old interview than those songs?
Other songs did include The Ronettes' Baby I Love You, Television's
Prove It, The Clash's Tommy Gun, Frank Black's I Heard Ramona Sing, The
Undertones' Teenage Kicks and Ramones' songs Cretin Hop, Pet Sematary,
Surfin' Bird and Rockaway Beach.